Between you and me and the Internet, let me just say that I'm scared approximately out of my mind, so I'm not really sure where my mind is going because when I'm thinking I'm thinking down eight different paths, and I can't follow any one of them to their logical conclusion because that's when I realize I don't know.
Anything, really.
So between you and me and the Internet, allow me to say that publishing these fears and emotions across an open forum where anyone who can use Google and knows my name will find it scares me just as much as any one of the pages in my choose-your-own-adventure book.
Between you and me and the Internet, I want to move to the city with you so I can see the skyscrapers in the reflection of your glasses. I want to find that greasy spoon diner where we can go for breakfast every week and where the coffee tastes like mud, but you drink it anyway, and I make fun of you because tea is so much better. Or hot chocolate. I want to curl up on a threadbare couch with barely any cushion to it and sleep curled up in your arms because it's safest there.
Between you and me and the Internet, I want to spend days going through every single one of my Poem-A-Days and tack them all over our walls just so I can see if they'd be good for wallpaper. I want to read your poetry all the time or at least keep it in my purse for rainy days. I want to drive you to work and drop you off on the corner and do circles around the block until I need to pick you up again. I want desperately to make out on public transportation and claim no regrets because I don't think I could ever be ashamed of that.
Between you and me and the Internet, I hate the carpet in your basement, or at least I don't like it as much as you seem to, but I would be willing to sit on that floor if it meant sitting with you.
Between you and me and the Internet, I love you like mad and all it takes is a Facebook post to make it official.
Thank you to Sunday Scribblings for the prompt: Between You and Me.
The mixed-up ramblings of a 20-something writer and nerd.
About Me
- Brianna
- Ever a contradiction: I'm a pessimistic optimist, a practical idealist, a messy perfectionist, a shy yet outgoing, distracted yet organized, procrastinating yet prompt oxymoron. And I'm also on Twitter! @BriannaKratz
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Showing posts with label Sunday Scribblings. Show all posts
Showing posts with label Sunday Scribblings. Show all posts
Modern
This morning when I saw the prompt from Sunday Scribblings was "modern," the first thing I thought was of "Thoroughly Modern Millie," a musical set in 1922, an extremely modern age.
I really like this musical because it's so silly. I've seen it twice, each time it was a high school production, and they were both fantastic. I've never been in it, and I'm not really sure who I would play if I were in it...so it's probably better this way.
The dictionary tells me that "modern" has to do with present and recent time. But another definition says that "modern" is everything after the Middle Ages. I find this really amusing if only because sure, today is a time after the Middle Ages, but "everything after the Middle Ages" covers quite a bit of time, if I'm remembering correctly. So that means that yes, Jane Austen is modern.
That means Shakespeare is modern too, right? Hm. I have a couple classmates who would argue differently because they don't understand what the man's trying to say in all that language dripping with imagery. But my classmates would probably lose this argument because Shakespeare's English is actually considered "modern English." Everyone who says that Shakespeare is "Old English" is not only wrong, but has never heard old English before and how not like today's English it sounds. I'm going to see if I can find a video recording of old English to illustrate my point...I tried to find a video that didn't have a creepy voice...I'm not sure I succeeded. Heh.
So does that sound like English to you? Heck, does that even sound like Shakespeare? Does that sound like Hamlet? What's kinda neat is that Middle English (as opposed to Old English) sounds a little bit more like modern English. I know this because last spring I took a class on Geoffrey Chaucer and read a bunch of The Canterbury Tales in Middle English. It was pretty awesome. But Middle English has more of a melodic sound than modern English does, it reminds me of a mix of Gaelic with the musicality of the language and of French with the pronunciation of some of the words.
Point being, as much as people would like to think otherwise and it's crazy, but Shakespeare? He's modern.
Thank you to Sunday Scribblings for the prompt: Modern
I really like this musical because it's so silly. I've seen it twice, each time it was a high school production, and they were both fantastic. I've never been in it, and I'm not really sure who I would play if I were in it...so it's probably better this way.
The dictionary tells me that "modern" has to do with present and recent time. But another definition says that "modern" is everything after the Middle Ages. I find this really amusing if only because sure, today is a time after the Middle Ages, but "everything after the Middle Ages" covers quite a bit of time, if I'm remembering correctly. So that means that yes, Jane Austen is modern.
That means Shakespeare is modern too, right? Hm. I have a couple classmates who would argue differently because they don't understand what the man's trying to say in all that language dripping with imagery. But my classmates would probably lose this argument because Shakespeare's English is actually considered "modern English." Everyone who says that Shakespeare is "Old English" is not only wrong, but has never heard old English before and how not like today's English it sounds. I'm going to see if I can find a video recording of old English to illustrate my point...I tried to find a video that didn't have a creepy voice...I'm not sure I succeeded. Heh.
So does that sound like English to you? Heck, does that even sound like Shakespeare? Does that sound like Hamlet? What's kinda neat is that Middle English (as opposed to Old English) sounds a little bit more like modern English. I know this because last spring I took a class on Geoffrey Chaucer and read a bunch of The Canterbury Tales in Middle English. It was pretty awesome. But Middle English has more of a melodic sound than modern English does, it reminds me of a mix of Gaelic with the musicality of the language and of French with the pronunciation of some of the words.
Point being, as much as people would like to think otherwise and it's crazy, but Shakespeare? He's modern.
Thank you to Sunday Scribblings for the prompt: Modern
"Everything today is thoroughly modern,
check your personality,
everything today makes yesterday slow,
better face reality..."
- "Thoroughly Modern Millie"
Fairy Tale
Let's just start off by saying I love fairy tales. So when Sunday Scribblings provided me with the prompt: Fairy Tale it was really easy to take things I had already written. The first piece (the poem) is a little something I wrote for my Poem-a-Day project. So it's really recent. The second piece (the prose) is from my freshman year of college. It's from a longer short story (that sounds weird...) so it's really just an excerpt, but you'll get an idea of what the rest of it's about. I really love fairy tales. A lot. Enjoy!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
October 3, 2011
Once upon a time
Snow White was allergic
to apples and
Sleeping Beauty had
insomnia.
Cinderella prefers flats
to heels.
Rapunzel’s afraid of heights
so she stays away
from the window.
This irritates the witch.
None of them ever met
Prince Charming
for some reason.
Snow White fell
for her allergist
and Sleeping Beauty spent
the night with
the beast.
Cinderella…she didn’t go
anywhere.
She became a hermit
and bashed men with
her godmother.
Until they fell in love.
Then they moved out.
Rapunzel couldn’t take it.
She jumped and tried
to fly.
Her little heart stopped
before her body did.
Happily ever after.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“It’s rude to gape, you know.”
Will spun around, the trees blurring together as he searched for the source of the voice.
“You’re not very observant, are you?” noted the voice dryly. It was then that Will looked down and saw what could be simply described as a frog sitting calmly in the grass, looking casually up at him. Will felt as if his thoughts had been instantly wiped clean like deleting a file off a computer. He took a couple moments to gather his wits about him until he regained the ability to at least stutter.
“Y-y-you—you---“
“I…” the frog prompted.
“You’re a frog!” Will spat out.
“I’m a frog,” the frog said, clearly unimpressed by this conclusion. “Why yes I am. Thank you for stating the painfully obvious.”
Will’s frown deepened as his frustration with the situation increased. It was improbable enough that a frog was speaking to him at all, never mind mocking him.
“But you can speak,” Will clarified, forcing himself to remain calm by biting the inside of his cheek. “Frogs don’t have the right vocal chords to speak. It’s impossible.”
“Nothing’s impossible,” the frog said wearily, massaging his temples. “Things aren’t always exactly the way you assume they’ll be.
A frog’s giving me advice? Will thought, raising his eyebrows skeptically.
“Thanks for the advice, but I just want to get out of here,” he said aloud. “Wherever ‘here’ is.”
“That may be true, but you can’t.”
“I can’t?” Will repeated. He was reluctant to believe anything the little fly-eater said, but seeing no immediate solution to his problem, it looked like the frog was right.
“No. You can’t. Not unless you stop irritating me,” the frog said, crossing his little arms over his little chest.
Will pursed his lips and nodded once before setting off into the forest to find his own way out of this delusion. The frog’s reaction was late, giving Will a ten step head start before he called after him, “Where are you going? You can’t just waltz off, you don’t belong here!”
“I’ll say,” Will muttered.
Ignoring the frog’s jabbering complaints following him through the trees, Will continued on through the brush. With his eyes glued to the ground, he would have smacked headlong into the tower had he not heard the chattering voice above.
“Belle, he’s been completely beastly to you. Rose or no, I say you have to get out of there.”
Will raised his eyebrows and tilted his head back to get a better view of the tower-dweller. She was a young lady with auburn hair, sitting at the window seat of a circular tower with no visible doors. She was holding a handheld mirror before her face and speaking (it seemed) to her own reflection. But the girl in the mirror was a brunette.
“Hold on a sec, I think my pizza’s here,” the tower-dweller told the face in the mirror. She then set it aside and hung out the window, squinting directly at Will. “Hello? Are you here to deliver a pizza?”
“A pizza?”
“Yes, I’m starved!”
“Um. Actually, no.”
“Did you see a guy with a pizza anywhere? It’s Hawaiian.” The tower-dweller craned her neck and squinted her eyes, hanging so far out the tower’s window, it looked as if she would tumble to the ground.
“Uh, no, I didn’t see anyone,” Will said, almost apologetically. “I’m just trying to get out of here.”
“You and me both,” the tower-dweller rolled her eyes and retreated to a safer position on her window seat.
The frog, having finally caught up with Will, hopped to a halt at the teenager’s feet, positively fuming. He sat silent, glaring up at Will.
“But could you tell me where I am?” Will called up to the tower-dweller. She was reaching for her mirror again, but let her hand drop when she heard Will’s question.
“Regnum Nymphae est umbra terra peregrina, jacens prorsus ultra agrum intelligerimus,” she replied, as if quoting the words from memory. The strange words sent a shock of recognition through Will. His sister’s book.
“What? What does that mean?” he asked her, but she had already returned to her mirror. Instead, Will turned to the frog. “What does she mean?”
The frog scowled bitterly at being reduced to a translator for Will’s convenience. If he had had it his way, he would have let Will get eaten by a dragon, and then everyone’s problems would be over.
“The Realm of Fairy is a strange shadow land, lying just beyond the fields we know.”
The Realm of Fairy? Will thought. Now that the mysterious words had been given a meaning he understood, he felt somewhat cheated. “That’s it? I’m in fairy land?”
“I’m sorry to disappoint you,” the frog said, his obvious lack of sincerity showing in his wicked smile. “But if you want—“ The frog cut himself off and looked past Will into the trees. Whatever he saw caused his little amphibian eyes to widen. Will’s face contorted with confusion.
“What wrong with you?” he asked. But he received no response. Instead, the frog turned around hopped off, each hop accompanied by a low croak. Will smirked before another voice detained him.
“You there, grim fellow!” called a voice that sounded like shards of glass being ground together.
“Who, me?” Will asked, turning around and pointing at himself.
An old crone (crone being a term that is used interchangeably with the word “hag” to describe ridiculously old women) was taking great pains to pick her way out of the brush that bordered the clearing. She looked like she would shatter into a million pieces if she fell.
“Yes, you, mud pie!” the crone replied, leaning heavily on her cane as she hobbled nearer.
Mud pie? Will thought, then decided it would be wise to remain silent. Her yellowed and cracked talons looked as if they could tear anyone’s vocal cords to shreds and he didn’t want his to be next.
“I have a task for you, flap-dragon.”
Adding “flap-dragon,” to the list of terms to ignore, Will asked, “What’s in it for me?”
The crone seemed to consider this for a moment, and then a wicked smile distorted her features. “I won’t kill you where you stand.”
If anything convinced Will of the sincerity of the crone’s threat, it was that smile. The few teeth she had were jagged and looked as if they had never seen a glass of milk, much less a toothbrush. And factoring in the bloodthirsty glint in her beady eyes, Will came to the conclusion that she was quite serious.
“You’ve got a deal!” Will rushed to say, laughing nervously. “What kind of task?”
“I need you to deliver this to a girl with skin as white as snow, hair as black as ebony, and lips as red as blood. She answers to the name Snow White,” the crone explained, pulling an apple from beneath her cloak.
“Why aren’t you doing this yourself?” Will asked, narrowing his eyes.
“I have an Antagonists Anonymous meeting, and this can’t wait until tomorrow.”
“Can’t argue with that,” Will shrugged. He took the apple from the crone’s skeletal fingers without really looking at it. Now, 99% of people in the world would have been able to make the connection between an apple and a girl named Snow White. And 100% of that 99% could name all seven of the seven dwarves and even hum the Disney tune that was widely associated with the little men. But Will Grimm was a member of that 1% of people who were drawn to cult classics rather than pop culture and avoided Disney like the plague. And fairy tales? Those were his sister’s thing. “Where can I find her?”
“Just north of this clearing, follow the bluebells.” The crone nodded toward an opening in the trees and Will followed her gaze, noting the snatches of blue. As he left the clearing, he could hear the crone bidding the girl in the tower to let down her hair or something. Shaking his head, Will set off to follow the bluebells.
He wandered for what felt like forever but was probably only fifteen minutes in reality. Sweat poured off his brow. His breath came quick and labored. All the trees looked exactly the same, moss creeping up their trunks and green leaves. And there were bluebells everywhere.
Will scowled, looking every which way for a path, or (more importantly) for something to eat.
“’Follow the bluebells,’ she says,” Will muttered under his breath. “I’ll end up starving here surrounded by bluebells.”
Unbidden, Will’s eyes found the apple clutched in his right hand, and it looked absolutely tantalizing. It seemed to be speaking his name in a pitifully tiny voice. He brought it to eye level and stared at it. What light there was glanced off its surface, giving it a surreal sheen. It was absolutely irresistible and his hunger prevailed. So Will took a bite of the apple and fell down dead.
"Fairy tales are more than true; not because they tell us dragons exist, but because they tell us that dragons can be beaten."
- G.K. Chesterton
Omen
"That's a good omen."
Omens. Based on the Oxford English Dictionary, and the random quotes that I put above, I've learned that "omen," is a really sort of ambiguous word. It can mean whatever you need it to mean. Okay, you probably couldn't replace "kerfuffle" with "omen," but you know what I mean. When something has "prophetic significance," it can be an omen. Which is interesting. How many other words have that fluidity? Sure, you can have a good dog and you can have a bad dog, but it doesn't hold the same sort of significance that "omen" does. We know that an omen is something that happens that is supposed to predict good or evil happening, but the word has to be modified by an adjective. Otherwise, it's just a "I'm not really sure if this is a good or bad thing" omen. Which works too.
It's probably a matter of interpretation.
I also learned a little bit about "omen-animals," which is to say that I learned that they exist. They're animals whose behavior or body parts are used in methods of divination. Which is pretty cool. And then there's also a specific entry for "omen-birds" which are probably different from regular omen-animals in some way, though I'm not really sure. [This calls for more research.]
OH! And this reminds me that I have Neil Gaiman and Terry Pratchett's book, Good Omens, sitting on my bookshelf at school. There it will sit until I move out. I know it. I've never read it, but it's on one of my immediate "READ ME" lists because of the fact that I own it. [Actually, funny (not really funny) story, I went to Borders with a gift card that I discovered randomly in one of my purses, and I was all ready to spend this $15 I thought I had. I bought Good Omens and Witch and Wizard because they were random, cheap, and I needed to own some Neil Gaiman. I get to the register and the gift card only has a couple cents on it, and Borders hadn't started their "going out of business" sales. Paid for them out of my birthday money.] I'm really excited about reading it though because I have a friend who enjoyed it and was going to attend the Printer's Ball as a character from it...but that fell through.
So omens. Definitely something that I could think more about. Poetically?
Thank you to Sunday Scribblings for the prompt: Omen.
"It must be an omen."
"Bad omen."
Omens. Based on the Oxford English Dictionary, and the random quotes that I put above, I've learned that "omen," is a really sort of ambiguous word. It can mean whatever you need it to mean. Okay, you probably couldn't replace "kerfuffle" with "omen," but you know what I mean. When something has "prophetic significance," it can be an omen. Which is interesting. How many other words have that fluidity? Sure, you can have a good dog and you can have a bad dog, but it doesn't hold the same sort of significance that "omen" does. We know that an omen is something that happens that is supposed to predict good or evil happening, but the word has to be modified by an adjective. Otherwise, it's just a "I'm not really sure if this is a good or bad thing" omen. Which works too.
It's probably a matter of interpretation.
I also learned a little bit about "omen-animals," which is to say that I learned that they exist. They're animals whose behavior or body parts are used in methods of divination. Which is pretty cool. And then there's also a specific entry for "omen-birds" which are probably different from regular omen-animals in some way, though I'm not really sure. [This calls for more research.]
![]() |
| Thanks Google! Oh Neil Gaiman and Terry Pratchet...surely a rock star pairing! |
So omens. Definitely something that I could think more about. Poetically?
Thank you to Sunday Scribblings for the prompt: Omen.
"There is no such thing as an omen. Destiny does not send us heralds. She is too wise or too cruel for that."
- Oscar Wilde
Give
Give me definitions,
give me rhyme.
Give me heart and sole
and maybe time.
Give me alligator skin
and crocodile tears.
Give me candlesticks
and childhood fears.
I'll give you verses
curling around fingertips
if you write me
a future with us
together.
We can live on bookmarks
and dine on commas,
sweet silence dripping
from our lips.
The thought of giving reminds me of two stories. First of all is The Giving Tree which tells the story of a tree who gives up her everything for the boy she loves. It's the story of ultimate altruism and absolute true love. Sure, it doesn't sound like a tree should love a boy, but when someone's been swinging around in your branches since he was little, chances are love would develop. Second there's The Gift of the Magi. I haven't read it in years, but I remember the giving in that story also illustrates the great love found between this couple.
Though giving and receiving gifts always makes me feel uncomfortable in some senses because I never know how to adequately thank the person or exactly what gift is right for them, I've found that gift giving is a way for people to demonstrate their love of someone. The fact that they thought long and hard about what to give you is supposed to mean more than the actual gift itself. The idea of materialism factors in here somewhere, but I like to think that purchasing a gift for someone is supposed to mean something. It's more important than the price of the gift or the purchase of material to make happiness. Maybe that goes without saying, but in a society that focuses way too much on material means as a path towards happiness, sometimes it needs saying.
Thank you, Sunday Scribbling!
"If you have much, give of your wealth; if you have little, give of your heart."
- Arab Proverb
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